UNIVERSITY of GLASGOW

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Jews' Quarter, Amsterdam

Impression: Art Institute of Chicago
Art Institute of Chicago
(1934.610)
Number: 449
Date: 1889
Medium: etching
Size: 132 x 221 mm
Signed: butterfly at upper left
Inscribed: no
Set/Publication: no
No. of States: 1
Known impressions: 4
Catalogues: K.415; M.412
Impressions taken from this plate  (4)
Etching: PK415_01 (plate)
The copper plate bears the maker's oval stamp: 'HUGHES & KIMBER (LIMITED) / MANUFACTURERS / LONDON E.C.' It is close in size to Court of the Monastery of St. Augustine, Bourges [403], Church, Amsterdam [445], Zaandam [458], Rue de la Rochefoucault [434], Café Corazza, Paris [484], most of which definitely came from the same maker, and date from 1888 and later.
The plate was cancelled with crossed diagonal lines, possibly in 1891. Whistler discussed with Edward Guthrie Kennedy (1849-1932) the possibility of printing one or two impressions from cancelled plates so that prospective buyers could see that no further prints were possible. Whistler's 'secretary' William Bell wrote when Kennedy visited London in June 1891: 'in accordance with his intentions expressed to you the other day, Mr Whistler has already destroyed a great number of the plates in question, and herewith sends you the proofs as an interesting fact of reference - ' 8

8: W. Bell to E.G. Kennedy, 8 June 1891, GUW #09674.

Others cancelled at this time, and in the same way, include Little Steps, Chelsea [269], Gates, City, London [280], The Dray Horse [292], Petticoat Lane [299], Salvation Army, Sandwich [319], The Ramparts, Sandwich [324], The Tow-Path [325], Little Nude Figure [330] and possibly Church, Amsterdam [445].
It was in Whistler's studio at his death and was bequeathed to Rosalind Birnie Philip (1873-1958), who gave it to the University of Glasgow in 1935.