UNIVERSITY of GLASGOW

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The Ramparts, Sandwich

Impression: Art Institute of Chicago
Art Institute of Chicago
(1934.591)
Number: 324
Date: 1887
Medium: etching
Size: 128 x 178 mm
Signed: butterfly at lower right
Inscribed: no
Set/Publication: no
No. of States: 1
Known impressions: 4
Catalogues: K.309; M.304
Impressions taken from this plate  (4)
Etching: PK309_01 (plate)
Recto, above; verso, below:
Etching: PK309_02 (plate)
The copper plate bears the partial oval stamp of the makers, 'HUGHES & KIMBER (LIMITED) / MANUFACTURERS / LONDON E.C.' It is similar in size to many plates, mostly by the same maker, and dating from 1887, such as Melon Shop, Houndsditch [355], High Street, Brussels [343], Old Battersea Bridge, No. 2 [275], The Little Terrace, Luxembourg Gardens, No. 2 [444] and Fishing Quay, Ostend [351].
The plate was cancelled with crossed diagonal lines, probably in 1891. Whistler discussed with Edward Guthrie Kennedy (1849-1932) the possibility of printing one or two impressions from cancelled plates so that prospective buyers could see that no further prints were possible. Whistler's 'secretary' William Bell wrote when Kennedy visited London in June 1891: 'in accordance with his intentions expressed to you the other day, Mr Whistler has already destroyed a great number of the plates in question, and herewith sends you the proofs as an interesting fact of reference - ' 7

7: W. Bell to E.G. Kennedy, 8 June 1891, GUW #09674.

Others cancelled at this time, and in the same way, include Little Steps, Chelsea [269], Gates, City, London [280], The Dray Horse [292], Petticoat Lane [299], Salvation Army, Sandwich [319], The Tow-Path [325] and Little Nude Figure [330].
The plate was in Whistler's studio at his death and was bequeathed to Rosalind Birnie Philip (1873-1958), who gave it to the University of Glasgow in 1935.