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From Billingsgate |  Freer Gallery of Art (1898.362) | |
| Number: | 165 | |
| Date: | 1876/1877 | |
| Medium: | drypoint | |
| Size: | 152 x 229 mm | |
| Signed: | butterfly at lower right (6-final) | |
| Inscribed: | no | |
| Set/Publication: | 'Cancelled Plates', 1879 | |
| No. of States: | 8 | |
| Known impressions: | 28 | |
| Catalogues: | K.168; M.164; W.130 | |
| Impressions taken from this plate (28) | ||
PUBLICATION
EXHIBITIONS
) 11 Other impressions, including one lent by Bryan Lathrop (1844-1916) ( ), were shown in the exhibition organised by the Caxton Club in Chicago in 1900, and also by H. Wunderlich & Co. in New York in 1903. 12
It was also shown in the Memorial Exhibitions after Whistler's death. Three impressions of varying states were shown at the Grolier Club, New York, one of which was lent by Charles Lang Freer (1856-1919) (
); and impressions were also shown in Boston in 1904, and London in 1905. 13
11: New York 1881 (cat. no. 148). See REFERENCES : EXHIBITIONS.
12: Chicago 1900 (cat. no. 115); New York 1903b (cat. no. 97).
13: New York 1904a (cat. no. 133); Boston 1904 (cat. no. 99); London Mem. 1905 (cat. no. 130).
SALES & COLLECTORS
)., and ). 15 It is not clear where and when Menpes acquired these, for he did not meet Whistler until at least 1880, when he helped to print some of the Venetian plates. However, he was frequently in and out of Whistler's studio for the next few years and had access to the store of prints, so he may have acquired them direct, or he may have acquired them later by judicious purchases from collectors or dealers.15: Menpes 1904 A , repr. f.p. 80; Kennedy 1910 (cat. no. 168), states 1, 2 and 6.
) shortly after the auction in 1892 but it was certainly not an early state, which suggests that the auction catalogue may have misrepresented it. This was the earliest impression Freer bought, but he went on to buy four more, an impression from the cancelled set, bought in 1893 (); a second state in 1898 (); a first state in 1904, (); and finally a fourth in 1905 (). This demonstrates the comprehensive and obsessive nature of Freer's collecting. Impressions in the cancelled set were bought by collectors, dealers and public collections.16: Sotheby's, 3 March 1892 (lots 214, 215).