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165

From Billingsgate

Freer Gallery of Art
Accession no: 1893.65
State: C/8

Collection credit:Freer Gallery of Art, Smithsonian Institution  
Image credit:Photo © Freer Gallery of Art, Smithsonian Institution  
Provenance:Published in a cancelled set of etchings by the Fine Art Society, London, 1879. Bought from Knoedler & Co. by Charles Lang Freer (1856-1919), Detroit, MI, 1893; bequeathed to the Freer Gallery of Art, Washington, DC, 1919.  

 

Paper size:252 x 326 mm  
Plate mark size:150 x 225 mm  
Paper trimmed to pmk?:no  
Colour of the paper:cream  
Paper type (wove, laid, Japan etc):modern laid  
Note on the paper:  
Tab?:no  
Watermarks:partial: Van Gelder  
Medium:etching  
Ink colour:black  
Additional work on the print, e.g. in pencil:no  
Print tone:  
Note on foul biting:  
Print note:  

 

Whistler's sign on plate:butterfly (faint)  
Inscriptions by Whistler on the plate:no  
Inscriptions by others on the plate:no  
Whistler's signature on paper:no  
Inscriptions by Whistler on the paper:no  
Tab signed/inscribed:no  
Note on the tab:  

 

Printer's signature (e.g. Goulding):no  
Notes on inscriptions:  
Collector's mark:no  
Dealers' stock nos:no  
Misc inscriptions by others:'Have' written by Freer on recto; 'W 130 93.65 W130 K168 Gr133 M164 A Sketch from Billingsgate Dry-point' in unidentified writing on recto.  

 

Source of information:Whistler Etchings Project and museum records  
ID:K1680702  

All inscriptions are in graphite pencil unless otherwise stated.