UNIVERSITY of GLASGOW

model, nude reclining, portrait, woman, venus.

Variations on the title are as follows:


'"Venus" (Nettie Pettigrew)' (1903/1935, possibly Rosalind Birnie Philip (1873-1958)). 1
'Nude Figure Reclining' (1902, Edward Guthrie Kennedy (1849-1932)). 2


'Nude Figure Reclining' is very similar to other titles, and could lead to confusion. It is preferable to adopt the title 'Venus' (Nettie Pettigrew) given to the plate when it came with Whistler's estate to the University of Glasgow. Miss Birnie Philip may have given it this title, or may have recorded a title Whistler had given to it.

The nude figure of a woman wearing a scarf around her hair, reclining full length on a couch, her head resting on a pillow at the right, her right hand raised to her breast, and her left arm resting on the couch. An embroidered cloth or robe half covers her left arm, and a patterned bolster lies behind her legs at left.

The Arabian m1273, 1890/1892, pastel,
The Hunterian, GLAHA 46149.
This shows Whistler's model, Bessie Pettigrew (b. 1869) (known as 'Hettie' or 'Nettie' ), with whom he had a slightly confrontational relationship; she was a valued model, who knew her own worth. Here, the curve of her waist and hip is exagerated by shading, and her half-shut eyes look heavy-lidded. Her right hand touches her breast in an explicitly sensual way. The sensuality of the image may have stopped Whistler from exhibiting or selling this etching. A similarly sensual pose, where the nude is surrounded by exotic draperies, occurs in the pastel The Arabian m1273, reproduced above. Other Pettigrew family studies include Baby Pettigrew 374 and Cameo, No. 1 (Mother and Child) 459.

Studies of Hettie Pettigrew by Théodore Roussel (1847-1926) such as the lithograph Nude Girl Reclining and Study From The Nude, Figure Reclining share a close relationship with Whistler's drawings and etchings of Hettie. 3

It is not actually certain that Whistler ever called this 'Venus'. He had etched another 'Venus' many years earlier, Venus 060, which showed his mistress, Eloise ('Fumette') (fl. 1840-1858). Other 'Venus' subjects include a cartoon for a decorative panel, Venus m0357; several paintings, from different stages of his career, Venus y082, Venus Rising from the Sea y093 and Venus y548; and a much later drawing, Venus and Cupid m1296.