UNIVERSITY of GLASGOW

bird, birdcage, dog, people, posters, shop-front, street, theatre.

There are several minor variations of the title and punctuation, as for example:


'Bird-Cages - Chelsea' (1888, Whistler). 4
'Bird Shop (Chelsea)' (1889, Whistler). 5
'Birdcages' (1889, Whistler). 6
'Bird Shop. The. Chelsea' (1890/1891, Whistler). 7
'Bird Cages: Chelsea' (1890/1892, Beatrice Whistler (1857-1896)). 8
'Bird-Cages, Chelsea' (1902, Edward Guthrie Kennedy (1849-1932)). 9
'Bird cages, Chelsea' (1903/1935, possibly Rosalind Birnie Philip (1873-1958)). 10


The title, 'Bird-Cages, Chelsea', based on Whistler's original title, with revised punctuation, has become generally accepted.

A row of shops is seen across a street, drawn parallel to the edges of the plate. The shop on the left has bird-cages hung all along the front, and animal cages below. In the middle is an open doorway leading into a dark interior, stacked with goods. Above the shop is the lower part of a window with plants in pots in front of it. On the pavement at left, a man stands looking at the shop.

To right is a smaller shop with an open doorway in which three people are standing. To right of this, the shop window contains sheets of paper (probably advertisements and posters), one reading '2'. The shop sign above reads 'W. JONES - '. On the pavement are advertising boards, one reading 'AMBER'. In front, at right, stand two small children, a baby in a cart or pram, and a dog (Mansfield interpreted this as a woman). 11

The premises of Henry Newmarch, bird-cage maker, at 126 Pimlico Road, adjoined the shop of Walter Jones, hairdresser, at No. 128. Pimlico Road is off Lower Sloane Street and near the Royal Chelsea Hospital, London. The same premises housed George Kennedy & Sons, coppersmiths, who may have been the source of some of Whistler's copper plates. 12

Another etching showing a bird shop is Bird Shop - Seven Dials [384].

The newspaper announcing 'AMBER' refers to Alfred Cecil Calmour's play The Amber Heart, an 'original poetic fancy in three acts', which opened at the Lyceum Theatre on 10 May 1887, starring Ellen Terry as Ellaline ('an admirable part for Miss Ellen Terry, who throws into it all her wonted grace and charm') and Beerbohm Tree as Silvio, a 'lute-bearing troubadour'. 13 Terry appeared in a costume designed by Alice Comyns-Carr. 14

The play was revived several times at the Lyceum but Whistler's etching almost certainly records the original theatrical poster.

Another etching by Whistler showing a theatrical poster is The Barber's Shop, Chelsea [263].