Axenfeld | ||
Number: | 68 | |
Date: | 1860 | |
Medium: | drypoint | |
Size: | 230 x 153 mm | |
Signed: | 'Whistler.' at lower left (2-final) | |
Inscribed: | '1860.' at lower left (2-final) | |
Set/Publication: | 'Cancelled Plates', 1879 | |
No. of States: | 6 | |
Known impressions: | 31 | |
Catalogues: | K.64; M.64; T.52; W.61 | |
Impressions taken from this plate (31) |
The plate was cancelled with numerous crossed diagonal lines across the figure. It was certainly cancelled by 1879, and possibly by 1872, when an exhibition at the opening of the Guildhall Library and Museum of engraved portraits from the collection of James Anderson Rose (1819-1890) included portraits by Whistler, described as 'Nine portraits etched in copper - very rare - plates destroyed'. 11
Candidates for these nine portraits include Auguste Delâtre, Printer [28],
Whistler with a hat [44],
C. L. Drouet, Sculptor [35],
Finette [61], Z. Astruc, Editor of 'L'Artiste' [36],
Arthur Haden [66],
Mr Mann [73],
Riault (The Wood Engraver) [69] and
Axenfeld [68]. Other possibilities include
Greenwich Pensioner [40],
Bibi Valentin [34],
Bibi Lalouette [33] and
Fumette standing [59].
11: Cat. nos. 960-68.
The cancelled plate was probably among those bought at Whistler's bankruptcy sale by the Fine Art Society, London. It was published in an album of Cancelled Plates ('Cancelled Set') by The Fine Art Society, London, 1879.
The copper plate was probably among those acquired from Robert Dunthorne (b. ca 1851), by Rosalind Birnie Philip (1873-1958), who explained, 'A number of these plates were returned to me after the artist's death by Robert Dunthorne of Vigo Street, London in exchange for a number of lithographic proofs'. 12 The plate was later given by Miss Philip to the University of Glasgow in 1935.
12: Note by R. Birnie Philip, inserted in the album, Hunterian Art Gallery.