Fusco |  Hunterian Art Gallery (46771) | |
| Number: | 106 | |
| Date: | 1872 | |
| Medium: | drypoint | |
| Size: | 208 x 132 mm | |
| Signed: | no | |
| Inscribed: | no | |
| Set/Publication: | no | |
| No. of States: | 1 | |
| Known impressions: | 7 | |
| Catalogues: | K.99; M.98; T.73; W.90 | |
| Impressions taken from this plate (7) | ||
PUBLICATION
Fusco was not published.
EXHIBITIONS
According to Thomas, an impression was 'Exhibited by Mr. Whistler at the fifth Exhibition of the Society of French Artists, 168, New Bond Street, W., 1872. No. 138, called "An Etching."' 11
An impression was lent by Samuel Putnam Avery (1822-1904) to the Union League Club show in New York in 1881 (
). 12 One was exhibited by H. Wunderlich & Co. in New York in 1898 and bought by Charles Lang Freer (1856-1919) (). 13 Another was lent by Howard Mansfield (1849-1938) to the exhibition organised by the Caxton Club in Chicago in 1900 (). 14
After Whistler's death, an impression was exhibited in the comprehensive exhibition in the Grolier Club, New York, in 1904 and Henry Studdy Theobald (1847-1934) lent his impression to the Memorial exhibition in London in 1905. 15
An impression was lent by Samuel Putnam Avery (1822-1904) to the Union League Club show in New York in 1881 (
). 12 One was exhibited by H. Wunderlich & Co. in New York in 1898 and bought by Charles Lang Freer (1856-1919) (). 13 Another was lent by Howard Mansfield (1849-1938) to the exhibition organised by the Caxton Club in Chicago in 1900 (). 14 After Whistler's death, an impression was exhibited in the comprehensive exhibition in the Grolier Club, New York, in 1904 and Henry Studdy Theobald (1847-1934) lent his impression to the Memorial exhibition in London in 1905. 15
11: Thomas 1874 (cat. no. 73). See REFERENCES : EXHIBITIONS.
12: New York 1881 (cat. no. 121).
13: New York 1898 (cat. no. 85).
14: Chicago 1900 (cat. no. 85)
15: New York 1904a (cat. no. 94);London Mem. 1905 (cat. no. 90).
SALES & COLLECTORS
An impression was sold by Whistler to Charles Augustus Howell (1840?-1890) on 25 October 1877. 16
Early collectors included Samuel Putnam Avery (1822-1904), who bought one in the 1870s (); and - slightly later - Henry Harper Benedict (1844-1935), who bought what was probably the second print (), which is now in the National Gallery of Australia. Francis Seymour Haden, Sr (1818-1910) bought what was probably the last impression from the sale of the collection of James Anderson Rose (1819-1890) (), and it was later acquired by Howard Mansfield (1849-1938), then by Harris G. Whittemore (d. ca 1937), and finally went to the Library of Congress.
Early collectors included Samuel Putnam Avery (1822-1904), who bought one in the 1870s (
); and - slightly later - Henry Harper Benedict (1844-1935), who bought what was probably the second print (), which is now in the National Gallery of Australia. Francis Seymour Haden, Sr (1818-1910) bought what was probably the last impression from the sale of the collection of James Anderson Rose (1819-1890) (), and it was later acquired by Howard Mansfield (1849-1938), then by Harris G. Whittemore (d. ca 1937), and finally went to the Library of Congress.16: Howell to Whistler, 6-15 November 1877, GUW #02178.
Charles Lang Freer (1856-1919) bought the fifth impression in 1898, and it was bequeathed with the rest of his collection to the Freer Gallery of Art (). Two impressions went to the Art Institute of Chicago, one from the collection of Bryan Lathrop (1844-1916) () and the other from Clarence Buckingham (1855-1913) ().
). Two impressions went to the Art Institute of Chicago, one from the collection of Bryan Lathrop (1844-1916) () and the other from Clarence Buckingham (1855-1913) ().