Dry Docks, Southampton |  Hunterian Art Gallery (46932) | |
| Number: | 302 | |
| Date: | 1887 | |
| Medium: | etching and drypoint | |
| Size: | 67 x 178 mm | |
| Signed: | butterfly at lower left | |
| Inscribed: | no | |
| Set/Publication: | no | |
| No. of States: | 2 | |
| Known impressions: | 9 | |
| Catalogues: | K.322; M.317; W.240 | |
| Impressions taken from this plate (9) | ||
KEYWORD
boat, crane, jubilee, quay, sea, steamboat, ship, ship-building, timber-yard, warehouse.
TITLE
Variations on the title by Whistler and his cataloguers are as follows:
'Dry docks Southampton' (1887, Whistler). 2
'Dry Docks - Southampton // Naval Review' (1890/1892, Beatrice Whistler (1857-1896)). 3
'Southampton Docks' (1899, Frederick Wedmore (1844-1921)). 4
'Dry-Dock, Southampton' (1910, Edward Guthrie Kennedy (1849-1932)). 5
The variations are mainly grammatical and the various titles contain similar information. There is no reason to change Whistler's original title, except for adding the necessary punctuation so that it becomes 'Dry Docks, Southampton'.
'Dry docks Southampton' (1887, Whistler). 2
'Dry Docks - Southampton // Naval Review' (1890/1892, Beatrice Whistler (1857-1896)). 3
'Southampton Docks' (1899, Frederick Wedmore (1844-1921)). 4
'Dry-Dock, Southampton' (1910, Edward Guthrie Kennedy (1849-1932)). 5
The variations are mainly grammatical and the various titles contain similar information. There is no reason to change Whistler's original title, except for adding the necessary punctuation so that it becomes 'Dry Docks, Southampton'.
2: Whistler to T. McLean, 20 August 1887, GUW #13089.
3: GUW #12715.
4: Wedmore 1899 (cat. no. 240).
5: Kennedy 1910 (cat. no. 322).
DESCRIPTION
A view across the water, with two steam ships at right. On the far shore at left is a fence of open palings, and at right, some small boats, and a timber yard. Behind these is a row of warehouses and sheds, with small derricks and cranes, all under a cloudy sky.
SITE
The port of Southampton, on the south coast of England. The view may show the River Itchen looking from the Docks across the river towards Woolston, with Woolston church just visible in the distance. The boatyard would have been the ramshackle shipbuilding yard of Oswald Mordaunt. 6
During the Naval Review, the Ajax and the appropriately named Devastation collided and had to go into drydock at Southampton. 7
Whistler also painted two watercolours during his visit, Grey and silver, Docks, Southampton [m1141] and Silver and Blue: Southampton [m1142]. 8
During the Naval Review, the Ajax and the appropriately named Devastation collided and had to go into drydock at Southampton. 7
Whistler also painted two watercolours during his visit, Grey and silver, Docks, Southampton [m1141] and Silver and Blue: Southampton [m1142]. 8
6: Thanks to Alastair Arnott, Curator, Southampton City Council, and M.H. Hopkinson for this information.
7: Times, London, 27 July 1887, p. 10.
8: State Hermitage Museum, St Petersburg; the former has not been located.
DISCUSSION
Dockside subjects etched by Whistler include
Thames Warehouses [46],
Limehouse [48],
The Pool [49],
Eagle Wharf [50],
Billingsgate [51],
Thames Police [53],
Black Lion Wharf [54],
Stevens' Boat Yard [56],
Rotherhithe [70],
Vauxhall Bridge [75],
The Little Rotherhithe [74],
The Little Pool [79],
Chelsea Wharf [97],
Shipping at Liverpool [100], Shipbuilder's Yard, Liverpool [142],
Steamboats off the Tower [156],
Pickle Herring Wharf [164],
From Billingsgate [165],
Wapping - The Pool [180],
The Tiny Pool [167] and
Little Dordrecht [260].