Etchings Institutions search term: hunterian art gallery
The Fleet: Monitors | ||
Number: | 306 | |
Date: | 1887 | |
Medium: | etching and drypoint | |
Size: | 143 x 223 mm | |
Signed: | butterfly at lower left | |
Inscribed: | no | |
Set/Publication: | no | |
No. of States: | 2 | |
Known impressions: | 12 | |
Catalogues: | K.318; M.315; W.239 | |
Impressions taken from this plate (12) |
Recto, above; verso, below:
The Fleet: Monitors
[306] is the same size as Jubilee Place, Chelsea
[276] and Her Majesty's Fleet: Evening
[310]. The latter bears the oval stamp of Hughes & Kimber, London copper merchants. Also close in size are the plates for The Cock and the Pump
[321], and two Brussels etchings, Palaces, Brussels
[338] (also a Hughes & Kimber plate) and Grand'Place, Brussels
[335], all dating from 1887.
The original large copper sheets were probably stamped before being cut into smaller sizes. Thus some Hughes & Kimber plates do not have a stamp on the verso. Given the consistency in size of these etchings from 1887, it seems likely they were all made by Hughes & Kimber.
The copper plates for the 'Naval Review Set' were in Whistler's studio in Paris in the 1890s, and returned to London when the studio was sold at the turn of the century. 9 The copper plate for The Fleet: Monitors was in Whistler's studio at his death and bequeathed to Rosalind Birnie Philip (1873-1958), who gave it to the University of Glasgow in 1935. It was cancelled with a diagonal line across the lower left corner.
9: Whistler to R. B. Philip, [8 March 1901], GUW #04797.