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Salute Dawn | ||
Number: | 207 | |
Date: | 1879/1880 | |
Medium: | etching and drypoint | |
Size: | 127 x 204 mm | |
Signed: | butterfly at left | |
Inscribed: | no | |
Set/Publication: | 'Second Venice Set', 1886 | |
No. of States: | 4 | |
Known impressions: | 32 | |
Catalogues: | K.215; M.212; W.185 | |
Impressions taken from this plate (32) |
KEYWORD
TITLE
Possibly 'Venice dawn' (1882, Whistler). 1
'Salute Dawn' (1883, F.A.S.). 2
'Venice Dawn' (1886?, Whistler). 3
'Salute: Dawn' (1886, Frederick Wedmore (1844-1921)). 4
'La Salute Dawn' (1887, Whistler). 5
'La Salute au point du jour. - (Salute. Dawn)' (1905, Paris). 6
'La Salute: Dawn' (1909, Howard Mansfield (1849-1938)). 7
There is a problem with differentiating the several subjects that show Santa Maria della Salute at all times of the day, such as this print, Little Salute [210] and Nocturne: Salute [203]. There is also the problem that 'Salute' has a meaning and sounds quite different in English compared to Italian. It is possible that Whistler meant the title to have the double association, and that the etching is a salute to dawn as well as a panorama centering on the distant church. For this reason, the original title, 'Salute Dawn', is preferable.
1: Whistler to T. McLean, 28 August 1882, GUW #13643.
2: London FAS 1883 (cat .no. 49).
3: List of 'Venice 2nd Series', [1877-1903], GUW #13088.
4: Wedmore 1886 A (cat. no. 185).
5: Whistler to W. Dowdeswell, [16 July 1887], GUW #08717.
6: Paris Mem. 1905 (cat. no. 376).
7: Mansfield 1909 (cat. no. 212).
DESCRIPTION
SITE
8: Grieve 2000 , pp.139, 140.