UNIVERSITY of GLASGOW

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The Desk

Impression: British Museum
British Museum
(1907-04-08-2)
Number: 129
Date: 1874/1876
Medium: drypoint
Size: 216 x 139 mm
Signed: no
Inscribed: no
Set/Publication: no
No. of States: 5
Known impressions: 6
Catalogues: K.133; M.131; W.104
Impressions taken from this plate  (6)

TECHNIQUE

Drypoint, started with light lines, which faded, and were reinforced with much stronger lines. In the unique impression of the final state, printed with uneven inky tone, Whistler made some modifications in wash but it is not clear if they were carried out before he cancelled the plate.

PRINTING

There may have been a print-run of around ten, including two from the cancelled plate. All were printed in black ink. The first state was printed on cream laid paper with a 'PRO PATRIA' watermark, removed from a book, and with an old Latin inscription on the verso (Graphic with a link to impression #K1330102). This was followed by impressions on cream laid paper, one with a foolscap watermark (Graphic with a link to impression #K1330z01) and another with 'SH' or 'HS' countermark (Graphic with a link to impression #K1330302). A late impression, heavily worked in wash (altering and enlarging the head) and printed with a rough area of tone, was printed on lustrous off-white paper, possibly Japanese (Graphic with a link to impression #K1330402).
It was printed, possibly with the intention of publishing it with the 'Cancelled Set' by the Fine Art Society, London, in 1879 (Graphic with a link to impression #K1330501), but it was not published with the set. Only two impressions from the cancelled plate were printed, both in black ink on cream wove paper (Graphic with a link to impression #K1330501).