Etchings Institutions search term: hughes kimber
The Door of the Chapel, Montrésor | ||
Number: | 422 | |
Date: | 1888 | |
Medium: | etching | |
Size: | 178 x 128 mm | |
Signed: | butterfly at left | |
Inscribed: | no | |
Set/Publication: | no | |
No. of States: | 1 | |
Known impressions: | 4 | |
Catalogues: | K.395; M.392 | |
Impressions taken from this plate (4) |
Recto, above; verso, below:
The copper plate bears the maker's oval stamp: 'HUGHES & KIMBER (LIMITED) / MANUFACTURERS / LONDON E.C.' Whistler etched a lot of plates of the same size, mostly from the same maker, including London scenes (i.e. Melon Shop, Houndsditch
[355]), Queen Victoria's Jubilee subjects (i.e. Troopships
[307]), studies of models (i.e. Cameo, No. 1 (Mother and Child)
[459]), and a view of Brussels (The Barrow - Quartier des Marolles, Brussels
[346]), most of which date from 1887. Also in the same size are other views done on the Whistler's honeymoon in the Loire valley (Little Market Place, Tours
[389], Château de Verneuil, Touraine
[408]) and in subsequent years in Amsterdam and Paris (i.e. Little Drawbridge, Amsterdam
[448]).
The plate was in Whistler's studio at his death and was bequeathed to Rosalind Birnie Philip (1873-1958), who gave it to the University of Glasgow in 1935. It was cancelled posthumously with a diagonal line across the lower right corner.