Etchings Institutions search term: copley society
La Rétameuse |  Freer Gallery of Art (1898.213) | |
| Number: | 26 | |
| Date: | 1858 | |
| Medium: | etching | |
| Size: | 112 x 89 mm | |
| Signed: | 'Whistler.' at lower right (2) | |
| Inscribed: | 'Imp. Delatre. Rue St. Jacques. 171.' at lower left (2) | |
| Set/Publication: | 'French Set', 1858 | |
| No. of States: | 2 | |
| Known impressions: | 42 | |
| Catalogues: | K.14; M.11; T.3; W.5 | |
| Impressions taken from this plate (42) | ||
PUBLICATION
EXHIBITIONS
) and Bryan Lathrop (1844-1916) to the exhibition organised by the Caxton Club, Chicago, in 1900 (). 10
It also figured in print dealers' shows, particularly those of H. Wunderlich & Co. in 1898 and 1903 and F. Keppel & Co. in 1902, all in New York. Two impressions were bought by Charles Lang Freer (1856-1919) from the 1898 show (
, ). 11
9: Hague 1863 ; Liverpool 1874 (cat. no. 503).
10: New York 1881 (cat. no. 6); Chicago 1900 (cat. no. 5).
11: See REFERENCES: EXHIBITIONS.
), New York, and Howard Mansfield (1849-1938) lent one impression to the Boston Memorial Exhibition. King Edward VII lent another to the London Memorial show in 1905. 12
12: New York 1904a (cat. no. 6); Boston 1904 (cat. no. 2); London Mem. 1905 (cat. no. 5).
SALES & COLLECTORS
) in the summer of 1859 through Francis Seymour Haden, Sr (1818-1910), to whom he wrote on 20 June: 'I enclose two drafts on Liverpool amounting to £63 sterling and as requested by you, for the etchings - they arrived in good order and are considered very fine, doing Jemmy great credit'. 13
13: GUW #07079.
). 14 Haden also owned impressions of two different states (, ), which were bought by Hermann Wunderlich & Co., New York, sold through Thomas Wilmer Dewing (1851-1938), to Charles Lang Freer (1856-1919) in 1898 and bequeathed to the Freer Gallery of Art, Washington, DC., in 1919.14: V&A, Register for Prints, p. 33.
), probably acquired in Paris, as did Philippe Burty (1830-1890) (). Burty also owned a second state (), and both were bought by the British Museum in 1865 and 1866. Another impression from Burty's collection, also said to be a 'first undescribed state before the artist's and printer's names' was bought by the London print firm, Messrs Hogarth at auction in 1876 for £1.16.0. 15
15: Sotheby's, 27 April 1876 (lot 725).
). Later collectors included William Loring Andrews (1837-1927), who gave his print to the Metropolitan Museum of Art, New York, in 1883 (); and Henry F. Sewall (1816-1896), whose print was bought after his death by the Museum of Fine Arts, Boston in 1897 (). One impression was among a selection from the 'French Set' returned to Whistler for his butterfly signature in 1888 or 1889, and later - before 1900 - acquired by Bryan Lathrop (1844-1916) (), whose wife bequeathed it to the Art Institute of Chicago. In Germany, Hermann Heinrich Meier (1809–1898) bequeathed an impression to his wife, to be given to the Kunsthalle Bremen after her death, which occurred in 1910 ().