97Chelsea WharfColby College Museum of Art, MaineAccession no: 2013.329 State: 2/2 |
Collection credit: | The Lunder Collection, Colby College Museum of Art |
Image credit: | Photo © Colby College Museum of Art |
Provenance: | Knoedler & Co., New York. Kraushaar Galleries, New York. Private Collection, Florida; Susan Schulman, New York; Peter and Paula Lunder; given to Colby College by Peter and Paula Lunder. |
Additional acq. no: | 017.2005 |
Paper size: | 99 x 190 mm |
Plate mark size: | 90 x 190 mm |
Paper trimmed to pmk?: | yes |
Colour of the paper: | ivory |
Paper type (wove, laid, Japan etc): | laid, 'antique' |
Note on the paper: | 'antique' laid |
Tab?: | yes |
Watermarks: | Arms of Amsterdam |
Medium: | etching |
Ink colour: | black |
Additional work on the print, e.g. in pencil: | no |
Print tone: | moderate overall; vertical splotches, almost as if after leaving an even tone, he placed a textured laid paper lightly on the plate, to give some sparkly light effects - or else a sloppy wiping job - seems to be greyish, light impression, or perhaps a lighter ink |
Note on foul biting: | |
Print note: |
Whistler's sign on plate: | 'Whistler 1863 -' [butterfly] |
Inscriptions by Whistler on the plate: | "CHELSEA WHARF / CLOVER HAY & STRAW / THOMAS WEEKS, CHELSEA WHARF / ROMAN CEMENT & LIME" |
Inscriptions by others on the plate: | no |
Whistler's signature on paper: | no |
Inscriptions by Whistler on the paper: | no |
Tab signed/inscribed: | butterfly 'imp.' |
Note on the tab: | 24-44 mm from right |
Printer's signature (e.g. Goulding): | no |
Notes on inscriptions: | 'J.A.W.' Schulman says 'probably' in W's hand |
Collector's mark: | no |
Dealers' stock nos: | 'C 3356', '16286 MK' |
Misc inscriptions by others: | 17th/18th century script in pen and brown ink on verso, 'Piscator, Lightfoot / Wals. [conojus-]'; "W.81" |
Source of information: | Whistler Etchings Project |
ID: | K0890209 |
All inscriptions are in graphite pencil unless otherwise stated.