The Clock Tower - Amboise | ||
Number: | 429 | |
Date: | 1888 | |
Medium: | etching and drypoint | |
Size: | 178 x 127 mm | |
Signed: | butterfly at left | |
Inscribed: | no | |
Set/Publication: | no | |
No. of States: | 1 | |
Known impressions: | 10 | |
Catalogues: | K.394; M.394 | |
Impressions taken from this plate (10) |
TECHNIQUE
This is mainly etching, with a few areas of detail and shadow added in drypoint.
PRINTING
Several impressions were printed in black ink, one, for example, on Japanese paper (
) and one on cream laid paper (
). Others, printed in brown or dark brown ink include one inscribed '1st State - Early proof' on cream 'antique' (pre-1800) laid paper (
), another on ivory laid paper with a partial hunting horn and shield watermark (
), one on cream laid (
) and one on fine semi-transparent ivory laid Japanese paper (
). They are trimmed to the platemark and signed with a butterfly and 'imp.' on the tab to show that they were printed by Whistler.






In addition three impressions were printed by Nathaniel Sparks (1880-1956) for Rosalind Birnie Philip (1873-1958) in 1931. 12 They were printed on Whistler's own paper. Only one of these has been located. It was printed black ink on cream laid paper with a broad margin and it was signed 'Nathaniel Sparks - / Imp -' on the verso in pencil, so that it could not be confused with Whistler's impressions (
). It is possible the others were destroyed.

12: Martin Hopkinson, 'Nathaniel Sparks's Printing of Whistler's Etchings', Print Quarterly, 1999, Vol. 16, No. 4, pp. 340-341, 349.