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Drury Lane

Impression: Freer Gallery of Art
Freer Gallery of Art
(1887.17)
Number: 243
Date: 1880/1881
Medium: etching
Size: 164 x 103 mm
Signed: butterfly at upper right
Inscribed: no
Set/Publication: 'Second Venice Set', 1886
No. of States: 1
Known impressions: 26
Catalogues: K.237; M.234; W.176
Impressions taken from this plate  (26)

TECHNIQUE

This is pure etching, with no drypoint. It was etched lightly for the distant street view, then this area was 'stopped out' and the rest was etched much more deeply for the foreground, which was drawn confidently with long lines and dynamic zigzags for the archway, and sketched quickly with shorter, broken lines for the barely indicated children.

PRINTING

Drury Lane was published by Messrs Dowdeswell and Thibaudeau with A Set of Twenty-six Etchings (the 'Second Venice Set') in 1886. When Whistler was satisfied with this etching, he sent the copper plates to the publishers, who arranged for a selection to be printed by Émile Frédéric Salmon (1840-1913) for Messrs Dowdeswell, including Drury Lane (Graphic with a link to impression #K2370102). However, Whistler then decided to print them himself.
There are numerous dockets, receipts and lists recording the printing and delivery of the edition. Two impressions of Drury Lane were delivered on 2 April, ten on 28 July, four on 25 September 1886; nineteen on 15 January 1887, making a total of 35. 5

5: Whistler to W. Dowdeswell, [16 July 1887], GUW #08717.

It was printed sometimes in black ink, including, for example, an untrimmed early impression on buff laid paper (Graphic with a link to impression #K2370110) and a later one on cream Asian laid paper, trimmed to the platemark, as were most impressions, and signed on the tab with a butterfly and 'imp.' to show that Whistler had printed it (Graphic with a link to impression #K2370102). Even a cancelled impression, printed in dark brown ink on light-weight, western, possibly faux-Asian paper, was signed by Whistler with his butterfly and 'imp.' under the platemark, for it was not trimmed (Graphic with a link to impression #K2370202). More usually it was printed in dark brown ink on laid papers including ivory (Graphic with a link to impression #K2370103, Graphic with a link to impression #K2370109); buff (Graphic with a link to impression #K2370106) and cream laid papers (Graphic with a link to impression #K2370118). It was not usually printed on watermarked paper.