| Swinburne | ||
| Number: | 108 | |
| Date: | 1873/1877 | |
| Medium: | drypoint | |
| Size: | 280 x 190 mm | |
| Signed: | no | |
| Inscribed: | no | |
| Set/Publication: | 'Cancelled Plates', 1879 | |
| No. of States: | 2 | |
| Known impressions: | 18 | |
| Catalogues: | K.136; M.134; W.110 | |
| Impressions taken from this plate (18) | ||
PUBLICATION
It was published in an album of  Cancelled Plates ('Cancelled Set') by The Fine Art Society, London, 1879. 
EXHIBITIONS
It was not exhibited in Whistler's life time. The only exhibit recorded was after Whistler's death, in the Memorial Exhibition in London in 1905.  9 This was probably one of the two extant impressions ( and
 and  ).
).
 and
 and  ).
).9: London Mem. 1905 (cat. no. 110).
SALES & COLLECTORS
Whistler	 sold one impression to  Charles Augustus Howell (1840?-1890)					in 1877 for only £1.1.0. 10 This may well have been   the sole known impression of the first state, which was bought by Charles Lang Freer (1856-1919) from Obach & Co. in July 1906 ( ). Freer had already bought an impression of the second state from Obach's in December 1903 (
). Freer had already bought an impression of the second state from Obach's in December 1903 ( ). The second state was signed by Whistler about 1886 presumably when it was  sold.
). The second state was signed by Whistler about 1886 presumably when it was  sold.
Surviving impressions from the cancelled plate are often in the album as published in 1879. For instance, the British Museum bought an album in 1887 ( ), and Freer bought a set  from Knoedler & Co. in 1893 (
), and Freer bought a set  from Knoedler & Co. in 1893 ( ).  Thomas Glen Arthur (1858-1907) also acquired a set in 1887 (
).  Thomas Glen Arthur (1858-1907) also acquired a set in 1887 ( ) which later went to Boston Museum of Fine Arts.  Boston Public Library also acquired a set (
) which later went to Boston Museum of Fine Arts.  Boston Public Library also acquired a set ( ).    A set acquired by J. Littauer, Munich was  sold to the Hamburger Kunsthalle in  1896 (
).    A set acquired by J. Littauer, Munich was  sold to the Hamburger Kunsthalle in  1896 ( ).
).
 ). Freer had already bought an impression of the second state from Obach's in December 1903 (
). Freer had already bought an impression of the second state from Obach's in December 1903 ( ). The second state was signed by Whistler about 1886 presumably when it was  sold.
). The second state was signed by Whistler about 1886 presumably when it was  sold.Surviving impressions from the cancelled plate are often in the album as published in 1879. For instance, the British Museum bought an album in 1887 (
 ), and Freer bought a set  from Knoedler & Co. in 1893 (
), and Freer bought a set  from Knoedler & Co. in 1893 ( ).  Thomas Glen Arthur (1858-1907) also acquired a set in 1887 (
).  Thomas Glen Arthur (1858-1907) also acquired a set in 1887 ( ) which later went to Boston Museum of Fine Arts.  Boston Public Library also acquired a set (
) which later went to Boston Museum of Fine Arts.  Boston Public Library also acquired a set ( ).    A set acquired by J. Littauer, Munich was  sold to the Hamburger Kunsthalle in  1896 (
).    A set acquired by J. Littauer, Munich was  sold to the Hamburger Kunsthalle in  1896 ( ).
).10: 24 November-8 December 1877, GUW #12742.
Prices were low but collectors and collections were keen to have the set of cancelled etchings, as a record of a substantial number of otherwise unrecorded etchings and drypoints.  A set, probably acquired from the Fine Art Society by  Alphonse Wyatt Thibaudeau (ca 1840- d.1892), was auctioned in 1889 and bought by Robert Dunthorne (b. ca 1851)  for £0.6.0. 11  Dunthorne exchanged it for other works  with Rosalind Birnie Philip (1873-1958) who bequeathed it to the University of Glasgow (see  ). She acquired another set, trimmed the impressions and stuck them on the envelopes containing the copper plates   (i.e.
). She acquired another set, trimmed the impressions and stuck them on the envelopes containing the copper plates   (i.e.  ).
).
 ). She acquired another set, trimmed the impressions and stuck them on the envelopes containing the copper plates   (i.e.
). She acquired another set, trimmed the impressions and stuck them on the envelopes containing the copper plates   (i.e.  ).
).11: Sotheby's, London, 13 December 1889 (lot 787 or 789).

