Etchings Institutions search term: isspg
Café Luxembourg | ||
| Number: | 436 | |
| Date: | 1888/1893 | |
| Medium: | etching | |
| Size: | 98 x 135 mm | |
| Signed: | butterfly at upper left | |
| Inscribed: | no | |
| Set/Publication: | no | |
| No. of States: | 1 | |
| Known impressions: | 1 | |
| Catalogues: | K.434; M.425 | |
| Impressions taken from this plate (1) | ||
PUBLICATION
EXHIBITIONS
). 5 This is somewhat mysterious because Freer's records say that he only bought it in 1902; did he take it and only receive the invoice later or did he lend another impression or some similar subject, such as The Little Café au Bois
[c091]? Freer certainly lent this etching - Café Luxembourg - to the Grolier Club in 1904 and to the Whistler Memorial Exhibition in Boston, also in 1904. 6
4: London ISSPG 1899 (cat. no. 240); See REFERENCES: EXHIBITIONS.
5: Chicago 1900 (cat. no. 274).
6: New York 1904a (cat. no. 351); Boston 1904 (cat. no. 232).
SALES & COLLECTORS
). Whistler sold this to him through his sales venue at the Company of the Butterfly in May 1902 for £8.8.0. 7 Curiously, Freer supposedly lent the etching to the Caxton Club in 1900, which suggests he obtained it earlier - or that there is some confusion in the titles, or in Whistler's accountingIt is very surprising that only one impression has been located, given that Whistler appears to have exhibited it in 1899. The very limited print-runs of the late Paris etchings may have been intended by Whistler as a marketing ploy, or may have been coincidental. It is also possible that impressions stored in the Paris studio were lost when it was sold.
7: Whistler to C. L. Freer, [23 March 1900/June 1902], GUW #13883.
