Etchings Institutions search term: wunderlich
Fish Women, Ostend |  Colby College Museum of Art, Maine (2013.349) | |
| Number: | 349 | |
| Date: | 1887 | |
| Medium: | etching and drypoint | |
| Size: | 96 x 133 mm | |
| Signed: | butterfly at upper left | |
| Inscribed: | no | |
| Set/Publication: | no | |
| No. of States: | 2 | |
| Known impressions: | 3 | |
| Catalogues: | K.349; M.349 | |
| Impressions taken from this plate (3) | ||
TECHNIQUE
For this etching -- with just a few lines of drypoint shading -- Whistler employed firm, jagged lines, dots and dashes, and some very wriggly descriptive lines, to suggest the bustling figures. Small, irregular patches of diagonal shading are used to distinguish some figures, the shadows under the tables and some of the windows.
PRINTING
Only three impressions of Fish Women, Ostend have been located. Impressions were printed with very light surface tone, one in black ink on ivory (now buff) laid paper (
), and others in dark brown ink on ivory laid paper () and cream laid paper with the Arms of Amsterdam watermark (). These impressions were all trimmed, with a tab left for the signature and 'imp.' to show that Whistler printed them. Judging by the pencil butterflies (written on the tab at the time of printing or selling), all the impressions were printed within a year, between 1887 and 1888.
), and others in dark brown ink on ivory laid paper () and cream laid paper with the Arms of Amsterdam watermark (). These impressions were all trimmed, with a tab left for the signature and 'imp.' to show that Whistler printed them. Judging by the pencil butterflies (written on the tab at the time of printing or selling), all the impressions were printed within a year, between 1887 and 1888.