Etchings Institutions search term: kupferstichkabinett berlin
Tatting |  Art Institute of Chicago (1924.644) | |
| Number: | 130 | |
| Date: | 1874 | |
| Medium: | etching | |
| Size: | 126 x 74 mm | |
| Signed: | no | |
| Inscribed: | no | |
| Set/Publication: | Fine Art Society | |
| No. of States: | 1 | |
| Known impressions: | 10 | |
| Catalogues: | K.112; M.111; W.98 | |
| Impressions taken from this plate (10) | ||
This etching almost certainly dates from the summer of 1874 or the spring of 1875, although Howard Mansfield (1849-1938) wrote 'Done about 1873'. 1
Tatting is probably related to studies of Frances Leyland (1834-1910), and family, and may have been drawn in London or at the Leyland's rented house, Speke Hall. Whistler, the 'Eternal Guest', invited himself to Speke in January 1874. 2
He was at Speke during the summer and autumn of 1874 and again in the spring of 1875, working on portraits of the Leyland girls. 3 In London, he completed and exhibited Symphony in Flesh Colour and Pink: Portrait of Mrs Frances Leyland [y106] in 1874.
On 5 May 1874 Whistler wrote from 2 Lindsey Houses in Chelsea to Ralph Thomas, Jr (1840-1876):
Tatting is probably related to studies of Frances Leyland (1834-1910), and family, and may have been drawn in London or at the Leyland's rented house, Speke Hall. Whistler, the 'Eternal Guest', invited himself to Speke in January 1874. 2
He was at Speke during the summer and autumn of 1874 and again in the spring of 1875, working on portraits of the Leyland girls. 3 In London, he completed and exhibited Symphony in Flesh Colour and Pink: Portrait of Mrs Frances Leyland [y106] in 1874.
On 5 May 1874 Whistler wrote from 2 Lindsey Houses in Chelsea to Ralph Thomas, Jr (1840-1876):
1: Mansfield 1909 (cat. no. 111).
2: Whistler to F. Leyland, [1/6 January 1874?], GUW #10867.
3: See Whistler to C. Flower, [July/August 1874]; A. M. Whistler to E. Eastwick, 8, 9, 23 and 29 September 1874, and to F. Leyland, 12 May [1875]; GUW #09093, #11843, #08181.
'You know how great a prisoner I am just now with my work and so I am going to impose upon your good nature and ask you to help me as I think you will readily - I want a small plate ready prepared for my new etching - will you get me one - and your brother Percy might prepare it - or Delâtre will - but I require it at once - and perhaps I had better have two - about the size of quarter of this sheet of paper - that is half this page - No that is too large - the size of the envelope - will do exactly ... And can your brother perhaps manage it for me by tomorrow' . 4
The assistants suggested by Whistler were Percy Thomas (1846-1922), and Auguste Delâtre (1822-1907). Whistler seems here to be rather lazy about preparing copper plates himself. The size indicated would be about 127 x 75mm or less. Reading a Book [112], Tatting, The Muff [131] and Resting [111] are all contenders, being close to this size.
The assistants suggested by Whistler were Percy Thomas (1846-1922), and Auguste Delâtre (1822-1907). Whistler seems here to be rather lazy about preparing copper plates himself. The size indicated would be about 127 x 75mm or less. Reading a Book [112], Tatting, The Muff [131] and Resting [111] are all contenders, being close to this size.
4: [5 May 1874], GUW #13681.
When publishing Tatting in 1880, Messrs Dowdeswell described it as 'new', but this was not true (and Whistler had been in Venice for several months at that time). 5
5: Brochure, [January 1880], GUW #02856.