Etchings Institutions search term: gutekunst
Chelsea Wharf |  Freer Gallery of Art (1905.163) | |
| Number: | 97 | |
| Date: | 1863 | |
| Medium: | etching and drypoint | |
| Size: | 93 x 192 mm | |
| Signed: | 'Whistler.' at lower right (1-2); butterfly at lower right (2) | |
| Inscribed: | '1863 -' at lower right | |
| Set/Publication: | no | |
| No. of States: | 2 | |
| Known impressions: | 12 | |
| Catalogues: | K.89; M.89; T.75; W.81 | |
| Impressions taken from this plate (12) | ||
KEYWORD
barge, bridge, building, cart, horse, river, warehouse, worker.
TITLE
There are few variations on the title, as in the following examples:
'CHELSEA WHARF' (1863, Whistler). 1
'Cheyne Walk. Chelsea' (1863, Whistler). 2
'Old Chelsea Wharf' (1874, Pall Mall Galleries). 3
'Chelsea Wharf' (1874, Ralph Thomas, Jr (1840-1876)). 4
'Chelsea Wharf' (1875, Whistler). 5
'Chelsea Wharf' appears to be the most consistently used title, dating back to Whistler.
'CHELSEA WHARF' (1863, Whistler). 1
'Cheyne Walk. Chelsea' (1863, Whistler). 2
'Old Chelsea Wharf' (1874, Pall Mall Galleries). 3
'Chelsea Wharf' (1874, Ralph Thomas, Jr (1840-1876)). 4
'Chelsea Wharf' (1875, Whistler). 5
'Chelsea Wharf' appears to be the most consistently used title, dating back to Whistler.
1: Etched thrice on the copper plate.
2: Written on (
).
3: London Pall Mall 1874 (cat. no. 3).
4: Thomas 1874 (cat. no. 75).
5: Whistler to W. C. Alexander, [March/April 1875?], GUW #07573.
DESCRIPTION
Thames barges, sails furled, lie beached high on the Thames foreshore at Chelsea at low tide. Behind them are two- and three-storey buildings and warehouses. On the buildings are several signs: 'CHELSEA WHARF', 'THOMAS WEEKS, CHELSEA WHARF, ROMAN CEMENT AND LIME', 'CHELSEA WHARF, CLOVER, HAY AND STRAW.' Men are unloading the barges with the aid of carts and horses. There are two tall poles with marker boards at the top, one to right of centre and the other at the far right.
SITE
Chelsea Wharf was in front and to right of Whistler's house on Lindsey Row, on the River Thames in Chelsea.
The etching, Battersea Reach
[96] was drawn from nearby, looking across the river to Battersea, and upstream to Wandsworth Railway Bridge.
Whistler painted a small oil study, Grey and Silver: Chelsea Wharf
[y054], probably at some time between 1864 and 1868 (it was first exhibited in 1875). It shows the view looking across from the jetties on the Chelsea shore, with their barges, at high tide, to Battersea on the opposite shore; a similar view is seen in Nocturne: Blue and Silver - Battersea Reach
[y119] and Nocturne: Battersea
[y120]. A later painting, Nocturne: Grey and Silver - Chelsea Embankment, Winter
[y205], shows the curve of the River Thames at Chelsea, this time at mid-tide, and after the Thames Embankment was extended, which radically changed the waterfront.