UNIVERSITY of GLASGOW

Etchings         Institutions search term: grolier club

Church Doorway, Edgware

Impression: Art Institute of Chicago
Art Institute of Chicago
(1924.659)
Number: 291
Date: 1887/1888
Medium: etching
Size: 99 x 67 mm
Signed: butterfly at left
Inscribed: no
Set/Publication: no
No. of States: 1
Known impressions: 3
Catalogues: K.303; M.298
Impressions taken from this plate  (3)

PUBLICATION

Church Door, Edgware was never published.

EXHIBITIONS

It was first exhibited by H. Wunderlich & Co. in New York in 1898, and then twice in 1903. 7 Charles Lang Freer (1856-1919) bought one from Wunderlich's in 1903 (Graphic with a link to impression #K3030103). An impressions was also shown by Obach & Co. in London in the same year. 8

After Whistler's death, it was exhibited in the Memorial Exhibitions in Boston in 1904 and (lent by John Charles Sigismund Day (1826-1908)) in London in 1905. 9

7: New York 1898 (cat. no. 198); New York 1903 (cat. no. 132). New York 1903b (cat. no. 203).

8: London Obach 1903 (cat. no. 224).

9: New York 1904a (cat. no. 297); London Mem. 1905 (cat. no. 270).

SALES & COLLECTORS

Whistler etched many doorways, including more than one church or church doorway. This complicates interpreting the sales records. However, he sold a 'Church Doorway' on 17 November 1888 to the London art dealers, Messrs Dowdeswell for £4.4.0. 10

10: GUW #13028 as 'Church Doorway'.

H. Wunderlich & Co. exhibited one in New York in 1898 it appears they had acquired one by then, although it is not certain which one that was. Whistler is known to have sold an impression (under the title 'Church Door') to Wunderlich's for £3.3.0 on 16 April 1901. 11

11: Wunderlich's to Whistler, GUW #07330.

Of the three known impressions, Charles Lang Freer (1856-1919) bought one from Wunderlich's in 1903 (Graphic with a link to impression #K3030103). Another was with Wunderlich's in 1912; it was acquired by Henry Harper Benedict (1844-1935), and then probably through Knoedler's by Lessing Julius Rosenwald (1891-1971), who gave it to the National Gallery of Art (Graphic with a link to impression #K3030104). Another one was originally owned by John Henry Wrenn (1841-1911) (Graphic with a link to impression #K3030102) whose wife bequeathed it to the Art Institute of Chicago.