340The Church - Brussels (Adoration)Art Institute of ChicagoAccession no: 1917.507 State: 3/4 |
Collection credit: | Bryan Lathrop Collection |
Image credit: | Photo © The Art Institute of Chicago |
Provenance: | Bryan Lathrop (1844-1916), Chicago; bequeathed to the Art Institute of Chicago, IL, 1917. |
Additional acq. no: | 1770 |
Paper size: | 129 x 178 mm |
Plate mark size: | 126 x 178 mm |
Paper trimmed to pmk?: | yes |
Colour of the paper: | cream |
Paper type (wove, laid, Japan etc): | japanese |
Note on the paper: | |
Tab?: | yes |
Watermarks: | no |
Medium: | etching and drypoint |
Ink colour: | black |
Additional work on the print, e.g. in pencil: | no |
Print tone: | |
Note on foul biting: | considerable foul biting - heavy over figures in left chapel and lighter over central pier and area to lower right of it; foul biting appears to be result of rebiting those areas - perhaps with acid brushed directly on plate. Going back into a plate results in areas of light foul biting with irregular dots and grain |
Print note: |
Whistler's sign on plate: | butterfly |
Inscriptions by Whistler on the plate: | no |
Inscriptions by others on the plate: | no |
Whistler's signature on paper: | no |
Inscriptions by Whistler on the paper: | no |
Tab signed/inscribed: | butterfly 'imp.' |
Note on the tab: |
Printer's signature (e.g. Goulding): | no |
Notes on inscriptions: | |
Collector's mark: | Circular stamp of Bryan Lathrop (Lugt 2972). |
Dealers' stock nos: | no |
Misc inscriptions by others: | no |
Source of information: | Whistler Etchings Project |
ID: | K3560202 |
All inscriptions are in graphite pencil unless otherwise stated.