UNIVERSITY of GLASGOW

Home > The Catalogue > Impression

Return to previous page

340

The Church - Brussels (Adoration)

Freer Gallery of Art
Accession no: 1904.456
State: 2/4

Collection credit:Freer Gallery of Art, Smithsonian Institution  
Image credit:Photo © Freer Gallery of Art, Smithsonian Institution  
Provenance:Purchased from Rosalind Birnie-Phillip by Charles Lang Freer (1856-1919), Detroit, MI, 1904; bequeathed to the Freer Gallery of Art, Washington, DC, 1919.  

 

Paper size:131 x 177 mm  
Plate mark size:127 x 177 mm  
Paper trimmed to pmk?:yes  
Colour of the paper:ivory  
Paper type (wove, laid, Japan etc):laid  
Note on the paper:  
Tab?:yes  
Watermarks:partial bottom of Hunting horn in shield / HG (Chicago watermark 181)  
Medium:etching and drypoint  
Ink colour:dark brown  
Additional work on the print, e.g. in pencil:no  
Print tone:Traces of tone at the plate edges and at the lower left corner; dust or lint spots in the tone at lower left.  
Note on foul biting:Scattered flecks, more in the area between the columns, including patches at left; mottling from dust on the plate (?) around the butterfly.  
Print note:  

 

Whistler's sign on plate:butterfly  
Inscriptions by Whistler on the plate:no  
Inscriptions by others on the plate:no  
Whistler's signature on paper:no  
Inscriptions by Whistler on the paper:no  
Tab signed/inscribed:butterfly 'imp.'  
Note on the tab:tab 25-35 mm from left, height 3 mm  

 

Printer's signature (e.g. Goulding):no  
Notes on inscriptions:  
Collector's mark:no  
Dealers' stock nos:no  
Misc inscriptions by others:'21.81' at lower left on the verso; 'RBP (underlined) / The Church, Brussels-' at lower left on the verso by C.L. Freer.  

 

Source of information:Whistler Etchings Project and museum records  
ID:K3560103  

All inscriptions are in graphite pencil unless otherwise stated.