212The Steamboat, VeniceFreer Gallery of ArtAccession no: 1905.203 State: 3/4 |
Collection credit: | Freer Gallery of Art, Smithsonian Institution |
Image credit: | Photo © Freer Gallery of Art, Smithsonian Institution |
Provenance: | Bought from Thomas Way (1837-1915), London, by Charles Lang Freer (1856-1919), Detroit, MI, 1905; bequeathed to the Freer Gallery of Art, Washington, DC, 1919. |
Paper size: | 365 x 234 mm |
Plate mark size: | 263 x 183 mm |
Paper trimmed to pmk?: | no |
Colour of the paper: | cream |
Paper type (wove, laid, Japan etc): | laid |
Note on the paper: | |
Tab?: | no |
Watermarks: | 'KF' countermark |
Medium: | etching and drypoint |
Ink colour: | black |
Additional work on the print, e.g. in pencil: | no |
Print tone: | traces of tone near plate edges |
Note on foul biting: | fine regular patches on the sky at upper centre and to left and right of the domes of the Salute could be foul biting or grainy plate tone |
Print note: |
Whistler's sign on plate: | no |
Inscriptions by Whistler on the plate: | no |
Inscriptions by others on the plate: | no |
Whistler's signature on paper: | no |
Inscriptions by Whistler on the paper: | no |
Tab signed/inscribed: | no |
Note on the tab: |
Printer's signature (e.g. Goulding): | no |
Notes on inscriptions: | |
Collector's mark: | no |
Dealers' stock nos: | no |
Misc inscriptions by others: | a long inscription on the recto has been erased. |
Source of information: | Whistler Etchings Project and museum records |
ID: | K2280102 |
All inscriptions are in graphite pencil unless otherwise stated.