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193

The Doorway

Art Institute of Chicago
Accession no: 1934.578
State: 4/20

Collection credit:Bryan Lathrop Collection  
Image credit:Photo © The Art Institute of Chicago  
Provenance:Bryan Lathrop (1844-1916), Chicago; passed to his wife; bequeathed to the Art Institute of Chicago, IL, 1934.  
Additional acq. no:R 533  

 

Paper size:296 x 204 mm  
Plate mark size:292 x 204 mm  
Paper trimmed to pmk?:yes  
Colour of the paper:ivory  
Paper type (wove, laid, Japan etc):laid  
Note on the paper:  
Tab?:yes  
Watermarks:Arms of Amsterdam  
Medium:etching, drypoint and roulette  
Ink colour:black  
Additional work on the print, e.g. in pencil:no  
Print tone:  
Note on foul biting:  
Print note:Deep, dark drypoint lines define the upper body of the front leaning figure; small gray scraped or partially burnished patches to left of the bending figure's feet, body and head; sugar/sand/salt grain across the arches of the doorway and more regular tone (lavis?) above the right window; pronounced mechanically added tone in the water (presumably roulette work); tonal medium possibly added in the darkest shadows of interior to reinforce the etched lines and the grid of the rear window may show the use of stopping-out; a series of scratches (vise mark) at lower centre print distinctly. Marks of roulette visible across the bottom of the water.  

 

Whistler's sign on plate:butterfly  
Inscriptions by Whistler on the plate:no  
Inscriptions by others on the plate:no  
Whistler's signature on paper:no  
Inscriptions by Whistler on the paper:no  
Tab signed/inscribed:butterfly 'imp.'  
Note on the tab:the pencil butterfly dates from the 1890s  

 

Printer's signature (e.g. Goulding):no  
Notes on inscriptions:  
Collector's mark:Circular stamp with Japanese letters (Bryan Lathrop, Lugt 2972)  
Dealers' stock nos:no  
Misc inscriptions by others:no  

 

Source of information:Whistler Etchings Project  
ID:K1880310  

All inscriptions are in graphite pencil unless otherwise stated.