54Black Lion WharfFreer Gallery of ArtAccession no: 1898.271 State: 2/4 |
Collection credit: | Freer Gallery of Art, Smithsonian Institution |
Image credit: | Photo © Freer Gallery of Art, Smithsonian Institution |
Provenance: | Francis Seymour Haden (1818-1910), London; purchased from Hermann Wunderlich & Co., (receipt, 9 November 1898), bought by Charles Lang Freer (1856-1919), Detroit, MI, 1898; bequeathed to the Freer Gallery of Art, Washington, DC, 1919. |
Paper size: | 181 x 257 mm |
Plate mark size: | 152 x 226 mm |
Paper trimmed to pmk?: | no |
Colour of the paper: | cream |
Paper type (wove, laid, Japan etc): | Japan laid |
Note on the paper: | Eastern paper: kozo; much debris - even distribution, vertical chain lines |
Tab?: | no |
Watermarks: | none |
Medium: | etching |
Ink colour: | black |
Additional work on the print, e.g. in pencil: | |
Print tone: | no |
Note on foul biting: | Most near plate corners (including black patch at lower left plate edge) with scattered flecks throughout. |
Print note: | very good impression |
Whistler's sign on plate: | 'Whistler' |
Inscriptions by Whistler on the plate: | 1859.' and, on signboards : 'HORES WHARF', 'HOARES WHARF.', 'DOWNES', 'OLD SHIPPING CLIPPERS / TO LET EVERY DAY. / GLASCOW INVERNES (the first 'N' reversed) / GRANGEMOUTH PETERHA[ ]', 'ST. ANDREWS.', 'BLAC LION W RF' |
Inscriptions by others on the plate: | no |
Whistler's signature on paper: | no |
Inscriptions by Whistler on the paper: | no |
Tab signed/inscribed: | no |
Note on the tab: |
Printer's signature (e.g. Goulding): | no |
Notes on inscriptions: | |
Collector's mark: | 'S.H.' in graphite pencil (F.S. Haden, see Lugt 1227) |
Dealers' stock nos: | no |
Misc inscriptions by others: | 'W40' on verso by C.L.Freer; M. Smith records previously existing inscription 'S.H.' on etching's margin, erased 29 March 1924. |
Source of information: | Whistler Etchings Project and museum records |
ID: | K0420203 |
All inscriptions are in graphite pencil unless otherwise stated.