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39

The Music Room

Freer Gallery of Art
Accession no: 1898.248
State: 1/4

Collection credit:Freer Gallery of Art, Smithsonian Institution  
Image credit:Photo © Freer Gallery of Art, Smithsonian Institution  
Provenance:Probably acquired from Whistler by Francis Seymour Haden (1818-1910), London; bought from Hermann Wunderlich & Co., New York, (receipt, 9 November 1898), by Charles Lang Freer (1856-1919), Detroit, MI, November 1898; bequeathed to the Freer Gallery of Art, Washington, DC, 1919.  

 

Paper size:149 x 220 mm  
Plate mark size:144 x 217 mm  
Note on size:small margins  
Paper trimmed to pmk?:yes  
Colour of the paper:ivory  
Paper type (wove, laid, Japan etc):wove  
Note on the paper:little debris - even distribution  
Tab?:no  
Watermarks:none  
Medium:etching  
Ink colour:black  
Additional work on the print, e.g. in pencil:no  
Print tone:Light overall plate tone, slightly cleaner wiped near right and lower right plate edges.  
Note on foul biting:Small flecks scattered throughout and dark, prominent foul biting along plate edges and corners, particularly noticeable at right, left and bottom.  
Print note:Very large patch without etched lines at upper left corner--just fingerprints etched into plate.  

 

Whistler's sign on plate:no  
Inscriptions by Whistler on the plate:no  
Inscriptions by others on the plate:no  
Whistler's signature on paper:no  
Inscriptions by Whistler on the paper:no  
Tab signed/inscribed:no  
Note on the tab:  

 

Printer's signature (e.g. Goulding):no  
Notes on inscriptions:M. Smith records previously existing inscription "S.H." in graphite on mount. It was erased 1924.03.29.  
Collector's mark:no  
Dealers' stock nos:no  
Misc inscriptions by others:'W26 - Trial proof 1st [underscored] State' on verso by C. L. Freer.  

 

Source of information:Whistler Etchings Project and museum records  
ID:K0330103  

All inscriptions are in graphite pencil unless otherwise stated.