218The PiazzettaArt Institute of ChicagoAccession no: 1934.534 State: 7/9 |
Collection credit: | Bryan Lathrop Collection |
Image credit: | Photo © The Art Institute of Chicago |
Provenance: | Bryan Lathrop (1844-1916), Chicago; passed to his wife; bequeathed to the Art Institute of Chicago, IL, 1934. |
Additional acq. no: | R 533 |
Paper size: | 257 x 180 mm |
Plate mark size: | 254 x 180 mm |
Paper trimmed to pmk?: | yes |
Colour of the paper: | ivory |
Paper type (wove, laid, Japan etc): | laid |
Note on the paper: | very fine 'modern' laid (post 1800) or Japanese? |
Tab?: | yes |
Watermarks: | no |
Medium: | etching |
Ink colour: | Brown |
Additional work on the print, e.g. in pencil: | no |
Print tone: | |
Note on foul biting: | |
Print note: | The lines shading the archway of the clocktower are reinforced with a tonal medium (lavis? open bite?) |
Whistler's sign on plate: | butterfly |
Inscriptions by Whistler on the plate: | no |
Inscriptions by others on the plate: | no |
Whistler's signature on paper: | no |
Inscriptions by Whistler on the paper: | no |
Tab signed/inscribed: | butterfly 'imp'? |
Note on the tab: |
Printer's signature (e.g. Goulding): | no |
Notes on inscriptions: | |
Collector's mark: | Circular stamp with Japanese letters (Bryan Lathrop, Lugt 2972) |
Dealers' stock nos: | no |
Misc inscriptions by others: | no |
Source of information: | Whistler Etchings Project |
ID: | K1890402 |
All inscriptions are in graphite pencil unless otherwise stated.