169Maud, StandingFreer Gallery of ArtAccession no: 1904.84 State: 1/16 |  |
| Collection credit: | Freer Gallery of Art, Smithsonian Institution |
| Image credit: | Photo © Freer Gallery of Art, Smithsonian Institution |
| Provenance: | Mortimer Luddington Menpes (1860-1938), London. Bought from Obach & Co. (receipt 23 July 1904), by Charles Lang Freer (1856-1919), Detroit, MI, 1904; bequeathed to the Freer Gallery of Art, Washington, DC, 1919. |
| Paper size: | 334 x 205 mm |
| Plate mark size: | 227 x 151 mm |
| Paper trimmed to pmk?: | no |
| Colour of the paper: | cream |
| Paper type (wove, laid, Japan etc): | laid, 'antique' |
| Note on the paper: | The sheet was removed from a book; with irregularities along the left sheet edge, 'antique' laid (pre 1800), even distribution, much debris, vertical chain lines |
| Tab?: | no |
| Watermarks: | Arms of Amsterdam |
| Medium: | etching and drypoint |
| Ink colour: | black |
| Additional work on the print, e.g. in pencil: | no |
| Print tone: | With considerable selective tone, heaviest along the lower right portion of the plate; with an inky plate mark. |
| Note on foul biting: | Acid droplets at the upper left. |
| Print note: | Probably the impression illustrated by Kennedy for the first state. |
| Whistler's sign on plate: | no |
| Inscriptions by Whistler on the plate: | no |
| Inscriptions by others on the plate: | no |
| Whistler's signature on paper: | no |
| Inscriptions by Whistler on the paper: | no |
| Tab signed/inscribed: | no |
| Note on the tab: |
| Printer's signature (e.g. Goulding): | no |
| Notes on inscriptions: | |
| Collector's mark: | no |
| Dealers' stock nos: | no |
| Misc inscriptions by others: | 'W 99 Maude trial proof before the monogram June, 04' written by C.L. Freer, bottom edge, recto (erased 14 March 1924, according to FGA folder sheet. |
| Source of information: | Whistler Etchings Project and museum records |
| ID: | K1140102 |
All inscriptions are in graphite pencil unless otherwise stated.