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The Model Lying Down |  Freer Gallery of Art (1909.115) | |
| Number: | 110 | |
| Date: | 1873/1874 | |
| Medium: | drypoint | |
| Size: | 188 x 277 mm | |
| Signed: | no | |
| Inscribed: | no | |
| Set/Publication: | no | |
| No. of States: | 1 | |
| Known impressions: | 1 | |
| Catalogues: | K.121; M.120; W.107 | |
| Impressions taken from this plate (1) | ||
PUBLICATION
It was not published.
EXHIBITIONS
No exhibition is known in Whistler's lifetime. An impression was shown at the Whistler Memorial exhibitions in London and Paris in 1905. 5
5: London Mem. 1905 (cat. no. 107).
SALES & COLLECTORS
Charles Augustus Howell (1840?-1890) bought an impression of a print called 'Odalisque' on 19 November 1877 for £1.1.0. There are several prints that could possibly have been so called, but the title is not mentioned anywhere else. However, the price is rather low for what may have been a unique impression of a fairly elaborate composition. 6
6: [16-21] November 1877, GUW #12740.
The sole surviving impression of The Model Lying Down was acquired by Mortimer Luddington Menpes (1860-1938) (
). 7 It is not known when he acquired it: he collaborated with Whistler in the 1880s when printing the Venetian etchings, and may have had the opportunity then. Wedmore wrote 'A most rare dry-point, of high elegance. Mr Menpes has what may perhaps be the only impression.' 8 This impression was bought by Charles Lang Freer (1856-1919) in 1909.
). 7 It is not known when he acquired it: he collaborated with Whistler in the 1880s when printing the Venetian etchings, and may have had the opportunity then. Wedmore wrote 'A most rare dry-point, of high elegance. Mr Menpes has what may perhaps be the only impression.' 8 This impression was bought by Charles Lang Freer (1856-1919) in 1909.7: Morning Post, 26 October 1903 (GUL PC 21/6).
8: Wedmore 1899 (cat. no. 107).