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211

Long Venice

National Gallery of Art, Washington, DC
Accession no: 1943.3.8548
State: 1/8

Collection credit:  
Image credit:Photo © National Gallery of Art, Washington, DC  
Provenance:Listed by E. G. Kennedy as owned by Henry Studdy Theobald (1847-1934), 1910. Bought on 15 March 1928 by Lessing Julius Rosenwald (1891-1971), Philadelphia; given to the National Gallery of Art, Washington, DC, 1943.  
Additional acq. no:B-10612  

 

Paper size:  
Plate mark size:129 x 311 mm  
Paper trimmed to pmk?:yes  
Colour of the paper:off-white  
Paper type (wove, laid, Japan etc):Asian laid  
Note on the paper:  
Tab?:yes  
Watermarks:no  
Medium:etching and drypoint  
Ink colour:black  
Additional work on the print, e.g. in pencil:no  
Print tone:residual tone only  
Note on foul biting:a patch on the water to the right of the Doge's Palace; scattered flecks; pronounced scraping marks at left and right and at lower centre right  
Print note:A fine, clear and bold impression. The faint drypoint lines in the water seem to be related to earlier ideas rather than the current composition  

 

Whistler's sign on plate:butterfly  
Inscriptions by Whistler on the plate:'Venice' (faintly) at lower right  
Inscriptions by others on the plate:no  
Whistler's signature on paper:no  
Inscriptions by Whistler on the paper:'5.' [illegible, also looks like cr].' at lower right on the verso  
Tab signed/inscribed:butterfly 'imp.'  
Note on the tab:tab at 62 to 86 mm from left, height 9 mm; butterfly of 1880/1881  

 

Printer's signature (e.g. Goulding):no  
Notes on inscriptions:Large shaded butterfly, slightly smudged  
Collector's mark:'LJR' stamp (L.J. Rosenwald, Lugt 1760b)  
Dealers' stock nos:no  
Misc inscriptions by others:'139' (in semi-circle) at lower right on the verso; '10' at lower centre on the verso  

 

Source of information:Whistler Etchings Project and museum records  
ID:K2120102  

All inscriptions are in graphite pencil unless otherwise stated.