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136

Florence Leyland

Freer Gallery of Art
Accession no: 1898.340

Collection credit:Freer Gallery of Art, Smithsonian Institution  
Image credit:Photo © Freer Gallery of Art, Smithsonian Institution  
Provenance:Francis Seymour Haden (1818-1910), London; bought from Hermann Wunderlich & Co., (receipt 9 November 1898), by Charles Lang Freer (1856-1919), Detroit, MI, 1898; bequeathed to the Freer Gallery of Art, Washington, DC, 1919.  

 

Paper size:276 x 197 mm  
Plate mark size:213 x 138 mm  
Paper trimmed to pmk?:no  
Colour of the paper:cream  
Paper type (wove, laid, Japan etc):Asian laid  
Note on the paper:even distribution, little debris, kozo, vertical chain lines  
Tab?:no  
Watermarks:none  
Medium:drypoint  
Ink colour:black  
Additional work on the print, e.g. in pencil:no  
Print tone:light plate tone at left and at the plate corners; inky platemark at left and top  
Note on foul biting:a few tiny specks  
Print note:  

 

Whistler's sign on plate:butterfly  
Inscriptions by Whistler on the plate:no  
Inscriptions by others on the plate:no  
Whistler's signature on paper:no  
Inscriptions by Whistler on the paper:no  
Tab signed/inscribed:no  
Note on the tab:  

 

Printer's signature (e.g. Goulding):no  
Notes on inscriptions:  
Collector's mark:no  
Dealers' stock nos:no  
Misc inscriptions by others:'W96 3rd trial' at lower centre on the verso by C.L. Freer; 'S.H. In red pencil: Very early. Erased March 14th, 1914' originally on margin, according to FGA folder sheet.  

 

Source of information:Whistler Etchings Project and museum records  
ID:K1100203  

All inscriptions are in graphite pencil unless otherwise stated.