62J. Becquet, SculptorWalker Art Gallery, LiverpoolAccession no: WAG 1584 State: 5/6 |
| Collection credit: | Bequeathed by James Smith (of Blundellsands) |
| Image credit: | |
| Provenance: | James Smith (1831-1923), Blundellsands; bequeathed to the Walker Art Gallery, Liverpool, 1923. |
| Additional acq. no: | BW 648 |
| Paper size: | 280 x 217 mm |
| Plate mark size: | 256 x 192 mm |
| Paper trimmed to pmk?: | no |
| Colour of the paper: | ivory |
| Paper type (wove, laid, Japan etc): | laid |
| Note on the paper: | stuck down on a backing sheet. |
| Tab?: | no |
| Watermarks: | Unable to examine properly. |
| Medium: | etching and drypoint |
| Ink colour: | black |
| Additional work on the print, e.g. in pencil: | no |
| Print tone: | There is a light print tone that is slightly darker in the upper corners. |
| Note on foul biting: | However, there are marks from where the plate is damaged. |
| Print note: | There is a slightly mottled effect from inking. There is an etched design underneath (landscape format as opposed to portrait) of a boating scene with harpoons etc may possibly be by another artist - the delineation of the clouds is quite different from Whistler's. |
| Whistler's sign on plate: | no |
| Inscriptions by Whistler on the plate: | no |
| Inscriptions by others on the plate: | no |
| Whistler's signature on paper: | no |
| Inscriptions by Whistler on the paper: | no |
| Tab signed/inscribed: | no |
| Note on the tab: |
| Printer's signature (e.g. Goulding): | no |
| Notes on inscriptions: | Unable to examine verso as stuck down on secondary support. |
| Collector's mark: | no |
| Dealers' stock nos: | no |
| Misc inscriptions by others: | '2875L', 'IN 1584' on recto, at lower edge. |
| Source of information: | Whistler Etchings Project |
| ID: | K0520320 |
All inscriptions are in graphite pencil unless otherwise stated.